BRICS Bazaar Showcases Crafts from 18 Countries in New Delhi

The BRICS Bazaar, held from September 10 to 15, 2026, at the National Crafts Museum & Hastkala Academy in New Delhi, gathered over 40 artisans and designers from 18 BRICS member and partner countries. This exhibition showcased a rich tapestry of cultural traditions, presenting crafts and artworks that reflect the diversity of the BRICS community. Visitors explored authentic crafts such as China’s Suzhou embroidery, Indonesia’s Kudos batik, Nigeria’s wood and calabash art, and South Africa’s Zulu leather craft. The event also featured craft demonstrations and cultural programs, creating a vibrant atmosphere for attendees. The BRICS Bazaar is historically connected to the ongoing cultural celebrations surrounding the 18th BRICS summit, which is taking place nearby in New Delhi. This event highlights the artistic heritage of member countries while fostering collaboration and understanding among diverse cultures. The artisans participating in the Bazaar come from various cultural backgrounds and craft techniques, emphasizing the importance of preserving traditional art forms in a globalized world.

On the ground, the BRICS Bazaar has involved significant collaboration among various stakeholders, including artisans, cultural organizations, and government entities. The exhibition has attracted attention from foreign dignitaries visiting as part of their cultural engagement during the summit. Notable Indian artisans, such as Riyaz Ahmad, Mohammed Bilai Khatri, Karan Singh, and Shadab Ahmed, are demonstrating their crafts, enriching the experience for visitors. The event also includes installations and state-specific cultural corners, reflecting India's diverse heritage. The broader economic and social benefits of the BRICS Bazaar are considerable. By providing a platform for artisans to showcase their work, the event supports local economies and promotes cultural tourism. The presence of internationally recognized artists, such as Cuban artist Luis Fariñas León and Indonesian designer Yuli Astuti, emphasizes the potential for cultural exchange and economic collaboration within the BRICS framework. Furthermore, the event highlights the importance of preserving traditional crafts, which face the risk of disappearing amid modernization.

Looking ahead, the BRICS Bazaar serves as a model for future cultural exchanges and collaboration among member countries. As the event continues to attract attention, it is expected to evolve and expand, potentially involving more countries and artisans. The emphasis on cultural heritage and craftsmanship aligns with global trends in sustainable development and the promotion of local art forms, making the BRICS Bazaar significant in fostering international relationships through culture.